Still Life Of Irises, Poppies, Roses, Tulips, Peonies, Snowballs And Other Flowers In A Vase On A Stone Ledge :: Simon Pietersz
 |
A Still Life with Flowers and Grapes :: Leopold Zinnogger
 |
Silver Chalice with Roses :: Julian Alden Weir
 |
Still Life With Tulips, Roses, Passion Flowers And A Butterfly :: John Wainwright
 |
Still Life With Camellias, Primroses And Lily Of The Valley In An Urn By A Goldfish Bowl :: John Wainwright
 |
Japanese Iris - Six Varieties :: John Ferguson Weir
 |
A Still Life With Roses And Peonies In A Blue Vase :: Georges Viard
 |
Bunch of flowers :: Gustave Courbet
 |
Basket of Flowers on a Marble Ledge :: Dirck de Bray
 |
Arrangement of Roses :: Theude Gronland
 |
Still Life with Daises in Japanese Vase :: Olaf August Hermansen
 |
Still Life with Peonies :: Gustave Emile Couder
 |
Vase de pivoines :: Albert Aublet
 |
Still life with roses :: Johan Laurentz Jensen
 |
Basket of Roses :: Johan Laurentz Jensen
 |
Lily Pond :: Hermania Sigvardine Neergaard
 |
Still life with a basket of flowers :: Vincent Clare
 |
Flowers and books :: Ignacio Pinazo Camarlench
 |
The big picture with the flowers :: Hans Makart
 |
Still Life of Flowers and Fruits :: Eugene-Adolphe Chevalier
 |
Tulips and other flowers in a Terraco Urn :: Amelie Levignes Peonies Roses
 |
Peonies in a Blue Vase on a Draped Regency Giltwood Console Table :: Albert Aublet
 |
Still Life Of Roses In A Glass Vase :: Jan Frans Van Dael
 |
Carnations, peonies, narcissi and other flowers in an urn on a ledge :: Jacques-Charles Dutillieu
 |
A parrot tulip, peonies and other flowers in an urn on a ledge :: Jacques-Charles Dutillieu
 |
Still Life Of Grapes, Peaches In A Blue And White Porcelain Bowl :: Alexandre-Francois Desportes
 |
Still Life With Grapes, Peaches, Flowers And A Butterfly :: Adelheid Dietrich
 |
Still Life With Flowers :: Adelheid Dietrich
 |
Still Life Of Fruit And Flowers :: Adelheid Dietrich
 |
Peonies Pastel on paper :: William Merritt Chase
 |
Flowers Pastel on paper ::William Merritt Chase
 |
Azaleas :: William Merritt Chase
 |
Asters,Pansies And Violets :: Vincent Clare
 |
Still Life with Assorted Flowers in a Brass Vase :: Modeste Carlier
 |
Still Life With A Lobster And Assorted Fruit And Flowers :: Modeste Carlier
 |
Still Life Of Roses, Peaches And Grapes In A Basket :: Modeste Carlier
 |
Still Life Of Roses And Other Flowers On A Draped Table :: Modeste Carlier
 |
Still Life Of Roses And A Nautilus Cup On A Draped Table :: Modeste Carlier
 |
Nature Morte Aux Fleurs Et A Lorange :: Modeste Carlier
 |
Still Life with Grapes and Roses :: Max Carlier
 |
Fan and a Glass on Draped Table :: Max Carlier Flowers
 |
Roses :: Joseph Rodefer de Camp
 |
White Lilacs :: Jean Capeinick
 |
White and Yellow Chrysanthemums :: Gustave Caillebotte
 |
Clump of Chrysanthemums :: Gustave Caillebotte
 |
Flowers in a Flask :: Guido Cagnacci
 |
Apple Blossom And A Bird's Nest On A Mossy Bank :: George Clare
 |
Still Life With Roses, Cherries And Grapes :: Eugene Henri Cauchois
 |
Floral Still Life Of Spring And Autumn :: Eugene Henri Cauchois
 |
A Summer Bouquet :: Eugene Henri Cauchois
 |
Still Life With Potted Plants In A Nursery :: Edmond Van Coppenolle
 |
Still Life with Flowers and Fruit :: Caravaggio
 |
Summer Blooms in an Urn :: Adolphe Louis Castex-Degrange
 |
Mums In A Porcelain Vase :: Adolphe Louis Castex-Degrange
 |
Perhaps, still life is the most diverse genre. It includes bright and pastel, juicy and fading, very natural and exquisitely matched images. It is enough to remember what a variety of flowers exists in nature, in order to imagine the whole range of pictures depicting them, and it mixes with the style and the personal vision of the artist. In any case, this is a fairly positive genre, which even wilting shows beautifully. And the naturalness of flowers and fruits always lifts the mood, as if bringing [Expand]
1
Petrov-Vodkin's (1878-1939) painting "Morning still life" is filled with quiet joy, so it is very pleasant to look at it. The soft morning light falls on a rough table made of warm light wood, on which there are only a few items. A simple glass vase that barely holds fresh wildflowers – delicate blue bluebells and bright yellow daisies. Nearby — a very simple Breakfast – hot tea and boiled eggs. In the Nickel-plated surface of the teapot, you can see the reflection of a wonderful red cat, [Expand]
Calmness and peace take possession of the viewer while viewing this still life. In a hungry time, such a Breakfast was welcome, the artist captured a beautiful morning and real life, without embellishment. It is possible that the author expressed in it his view of life, faith in a better future.
Public Domain
L'immagine di Petrov-Vodkin "Morning Still Life" ? piena di gioia silenziosa, quindi ? molto piacevole da guardare. La morbida luce del mattino cade su un tavolo ruvido di legno chiaro caldo, che ospita solo pochi oggetti. Un semplice vaso di vetro in cui i fiori freschi di campo si adattano a malapena – delicate campane blu e margherite gialle luminose. Nelle vicinanze-una colazione molto semplice - t? caldo e uova sode. Nella superficie nichelata del bollitore, ? possibile vedere un riflesso di un meraviglioso gatto rosso che apparentemente si ? rifugiato sulle ginocchia del proprietario.
La calma e la pace dominano lo spettatore mentre guarda questa Natura morta. In un momento di fame, una tale colazione era benvenuta, l'artista ha catturato una bella mattina e la vita reale, senza abbellimenti. ? possibile che l'autore abbia espresso in lei la sua visione della vita, la fede in un futuro migliore.
2
artist: Paul Gauguin (1848 — 1903)
Public domain
"Still life with Laval's profile" - oil on canvas. The painting was painted in 1886 by the French artist Paul Gauguin. To date, the canvas is on display at the Indianapolis Museum of Art. The painting shows Gauguin's friend Charles Laval in profile, surrounded by inanimate objects. Among other items on the table is a ceramic pot that Paul Gauguin made with his own hands.
The description of the picture
The combination of portrait and still [Expand]
Gauguin deliberately used the technique of two of the most famous representatives of the art Nouveau and still life genres at that time. At the same time, the artist did not seek to harmoniously embody these two techniques on the canvas. On the contrary, Gauguin leaves them in some disagreement, bringing the impression of incoherence of the composition. This is his first painting in a series of paintings that challenge creativity. Laval, as a spectator, tries to anticipate Gauguin's next move.
3